every colour is used exactly as its palette has it, nothing lifted or blended. the moire is dealt a strength, from barely there to full, and it gathers in one part of each plate and thins away elsewhere.
gg_029 timeline
- · the darkest colours in the palettes lean blue, so half the plates came …
- · lines taper where they fade instead of stopping short, and the little …
- · the ghost now covers the first grating instead of adding light to it, …
- · every colour is used exactly as its palette has it, nothing lifted or …
- · the ghost grating gets its own range of levels on the shared step. it …
- · a run of plates side by side to see the whole range at once. four …
- · the two gratings take colours from the palette, and the moire stops …
- · the field lines from before, then a second set of lines laid over …